NEW CREATIVE CLASS

Creative Director Larry Peh Embarks On A New Creative Journey With NORMAT

by Portfolio Magazine
08 Oct 2024

The award-winning creative director opens up about his new journey that led him to discover more about the intricacies of sake.

For almost two decades, Larry Peh, the founder and award-winning creative director of design studio &Larry has immersed himself in the professional world of design, made an impact in the world of branding, and even dabbled in the intricacies of men’s fashion.

Today, he embarks on a new creative journey with the launch of NORMAT, a collective that bridges traditional craftsmanship with thoughtful, contemporary design. Here, we find out more about NORMAT’s first product launch: ‘AGAINST THE GRAIN’ Japanese sake (with varieties like Junmai Daiginjo and Tokubetsu Junmai) brewed to complement a wide variety of Singaporean and Southeast Asian cuisines.

What were some thoughts that were swimming in your head that eventually inspired the launch of NORMAT?
It was pretty simple, honestly. It was frustrating that I had to test so many different sakes to eventually find the ones that are tasty to me. After that, I had to go through yet another laborious process of trying to understand the labels, their background, and jargons. I wondered – why do I need so many different bottles to fulfil the idea of pairing when I don't even know what I'm going to eat for my next meal? So I ended up with lots of bottles and lots of styles of sake and naturally that became a problem in terms of logistics and fighting for fridge space with my wife. That was when I imagined having just two to three simple bottles that would tick all the right boxes for me.

The idea came to me at a time when I thought I was done with trying to create new ideas or labels. I started a men’s fashion label named Faculty some years ago and had sold the business. But like a musician who can't help writing the next song, it just came to me somehow.

What lessons from your creative career did you bring into this new endeavour? And once the range of sakes were launched, what new lessons did you learn?
As the founder of a branding and design agency, I've always been able to maintain a fine balance between art and commerce, knowledge and intuition, craft and technology. But what's different is that I now have to put on an extra hat – not just as a creator, but as a brand owner. So no matter how well it looks or sounds, if it doesn't fit the numbers, I'll have to be the first one to kill the idea. And I’ve done it many times; by relooking ways to cut cost, yet still achieve the exact taste profile and design, starting from the ground up, or should I say, from the Grain up.

As creatives, we always wish we have better clients who can appreciate the work and have the right budget. But through this new experience, I learnt to look closer from the other side of the lens.

"Once you fall in love with something, you'll either go deep, wide, or both. So when I was determined to create a specific type of sake from scratch, I knew I had to go all out."

What is your relationship and experience with sake like, which made you want to have a first-hand experience in its development and production?
I have never paid much attention to my drinks. And I don't take well to red wine or enjoy alcohol that's way too strong. My golden moment came around 15 years ago when I was served great sake while in Tokyo for meetings. I fondly remember a time when I drank so much the day before a big presentation. Yet on the day itself, I felt like I did just fine without even realizing I drank a lot the night before. That's when it hit me that sake was the "friend" who stood quietly by me throughout the years, waiting to be appreciated.

Perhaps it's the nature of a creator, but once you fall in love with something, you'll either go deep, wide, or both. So when I was determined to create a specific type of sake from scratch, I knew I had to go all out.

What is next for NORMAT? What kind of exciting ideas and executions can we expect in the future?
NORMAT was conceived to take on time-honored and worthy craft and fuse it with our own take so that it'll always have a place in the future – like a great idea without an expiry date.

Actually, NORMAT sake was our second product. The first was a lifestyle object that could find its way into homes or perhaps even museums, but the design and engineering process took too much time and resources, and it's not market ready at all. That’s why we launched our sake first. So do expect to see more interesting ideas coming out of NORMAT that isn't just sake.


(Related: A conversation with curator John Tung)

NORMAT Tokubetsu Junmai sake

Finally, how do you think the creative industry in Singapore has evolved over the years? What has impressed you and what needs improvement?
We started out admiring the West and Japan, but right now, there is this national pride that has taken over many of us and many industries. Although it's still in its infancy, you see more people supporting local brands and establishments.

Many of our creative folks, be it in F&B, sports, fashion, art, technology, or architecture, are winning awards or representing Singapore globally, which is a commendable phenomenon considering we are such a small country.

That said, I want to see bigger opportunities (and budgets) to be given to local creatives and for the established names in the industry to lend a helping hand to those who are just starting. I am a fan of architecture firm WOHA and I think its founders Wong Mun Summ and Richard Hassell are good examples of bringing others along to grow together.